What are the differences between trumpets, cornets, piccolo trumpets and flugelhorns?

Trumpets, cornets, piccolo trumpets, and flugelhorns are all part of the brass family and look quite similar at first glance, but they each have unique characteristics that make them suited for different styles, ranges, and tones.

Here’s a breakdown of their main differences:


🎺 Trumpet

Key: Most commonly in B♭.

Tone: Bright, piercing, and powerful.

Bore Shape: Cylindrical (same diameter throughout most of the tubing), which contributes to its sharp tone.

Usage: Classical, jazz, pop, marching bands, orchestras—very versatile.

Range: Standard trumpet range, extending from F# below middle C to about 2.5 octaves above.


🎺 Cornet

Key: Also usually in B♭.

Tone: Mellow and rounder than a trumpet.

Bore Shape: More conical than the trumpet, meaning it gradually widens along the tubing.

Usage: Brass bands (especially in the UK), some classical and jazz; historically used more in older jazz.

Range: Similar to the trumpet, but usually not pushed as high.


🎺 Piccolo Trumpet

Key: Typically in B♭ or A (with interchangeable lead pipes).

Tone: Very bright and penetrating; great for baroque music (like Bach).

Bore Shape: Cylindrical like the trumpet, but with much shorter tubing.

Usage: High, virtuosic classical playing—think Brandenburg Concerto No. 2.

Range: One octave higher than a regular trumpet.


🎺 Flugelhorn

Key: Usually in B♭.

Tone: Very warm, dark, and smooth—think velvety.

Bore Shape: Highly conical, which gives it that soft, mellow sound.

Usage: Jazz ballads, brass bands, and some orchestral or pop settings; great for lyrical playing.

Range: Similar to the trumpet, but the high register isn’t as strong or used as much.


Quick Comparison:

Instrument Tone Bore Type Common Use Range
Trumpet Bright Cylindrical All genres, very versatile Standard B♭
Cornet Mellow More conical Brass bands, some jazz/classical Standard B♭
Piccolo Trumpet Very bright Cylindrical Baroque/classical virtuosity One octave up
Flugelhorn Warm, dark Highly conical Jazz ballads, lyrical playing Standard B♭

🎺 Trumpet

🎶 Famous Player: Wynton Marsalis

Insanely versatile—plays jazz, classical, and everything in between.

Piece to check out: Haydn Trumpet Concerto (for classical brilliance) or Black Codes (From the Underground) for jazz firepower.

🎶 Other suggestions:

John Williams – Olympic Fanfare (that soaring trumpet line!)

Miles Davis – So What (yes, he often played trumpet with a Harmon mute for that classic cool jazz sound)


🎺 Cornet

🎶 Famous Player: Herbert L. Clarke

One of the most iconic cornet soloists in history.

Piece to check out: The Bride of the Waves or Carnival of Venice (his variations are nuts)

🎶 Bonus context:

Cornet was THE lead melodic instrument in early New Orleans jazz before trumpet took over. Think King Oliver or Bix Beiderbecke for a vintage jazz vibe.


🎺 Piccolo Trumpet

🎶 Famous Player: Maurice André

Basically the king of piccolo trumpet.

Piece to check out: Bach’s Brandenburg Concerto No. 2 – that first movement is a piccolo trumpet masterclass.

🎶 Also cool:

Penny Lane by The Beatles – that high, clean solo? Piccolo trumpet, inspired by baroque music.


🎺 Flugelhorn

🎶 Famous Player: Chuck Mangione

Super smooth, iconic flugelhorn sound.

Piece to check out: Feels So Good – mellow, rich tone all the way.

🎶 Other suggestions:

Art Farmer (especially his later work)

Pat Metheny Group – Always and Forever (check out the flugelhorn in this fusion/jazz context)


1. Trumpet: Wynton Marsalis – Haydn Trumpet Concerto in E-flat Major

Wynton Marsalis delivers a brilliant interpretation of Haydn’s Trumpet Concerto, highlighting the trumpet’s bright and powerful tone.

2. Cornet: Herbert L. Clarke – “Carnival of Venice”

Herbert L. Clarke’s rendition of “Carnival of Venice” exemplifies the cornet’s mellow and agile sound.

3. Piccolo Trumpet: Maurice André – Bach’s Brandenburg Concerto No. 2 (3rd Movement)

Maurice André’s performance of Bach’s Brandenburg Concerto No. 2 showcases the piccolo trumpet’s bright and penetrating tone.

4. Flugelhorn: Chuck Mangione – “Feels So Good”

Chuck Mangione’s “Feels So Good” highlights the flugelhorn’s warm and smooth sound.Reddit

These performances provide a clear auditory distinction between the instruments, allowing you to appreciate their unique qualities.

Bruce was a member of the faculty at the University of Northern Iowa, School of Music in Cedar Falls from 1969 until his retirement in 1999. He has performed with many well-known entertainers such as Bob Hope, Jim Nabors, Roy Rogers and Dale Evans, Steve Lawrence and Eydie Gorme, Anita Bryant, Carman Cavalara, Victor Borgie, the Four Freshman, Blackstone the Magician, Bobby Vinton and John Davidson.

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