How the test was carried out
I decided to prepare a test sheet which would include all of the notes from low B up to and including high C. In order to best represent each note tested, I used three preparatory notes which would give me a well centered pitch to be checked on my tuner. I have included a download of the sheet at the bottom of this post in case you would like to do the same test on your instrument. Originally I intended to test only the A/Bb cornet and my Bach cornet, but due to the fact that I had everything set up in my studio, I decided to test a few of my other horns at the same time. It is a good idea to check your instruments to see where the pitch tendencies are, especially if you have recently changed mouthpieces.
I first recorded the Holton cornet using the Bb slides because my ears were more accustomed to this pitch reference. The equal amounts of playing and resting is very important when doing this test for it gives your lips a chance to rest and each time you begin a new note pattern, you will be fresh and more accurate. By starting in the middle of the range, you are also able to contrast the high notes with the low which will also keep your lip more relaxed and fresh. I ran the test three times and averaged the intonation discrepancies to give a more accurate result.
The included chart represents my final outcome and I feel it accurately represents the pitch tendencies of all three combinations, i.e Clark Model Holton cornet pitched in both Bb and A as well as the Bach Stradivarius Bb cornet.
Playing characteristics of each instrument
I found the Holton A to be the sweetest cornet I have ever played. The lower pitch would have a great affect on this feeling as well as the smaller bore when compared to the Bach. I had to fight the Bb a little and this might have been caused by the intonation problems. Both the A and the Bb Holton had a very sweet feel to them. The notes seemed to be wider (when I say wider, I mean there was less center to each note). When compared to my Bach, the Holtons were easier to adjust the pitch. The tone quality of the Holton was much more mellow than that of the Bach and the Bach responded more quickly than the Holtons.
The valves on this 1920 Holton were amazing for its age. They were much slower to respond than the Bach because of the much lighter valve springs but the tolerances on the older instrument were exceedingly better than I had expected. This again was caused by the earlier overhaul of the instrument.
The overall construction of the Holton was confusing for the instrument has a first, second and third valve slide plus two main tuning slides. I was also surprised to find that there was no little finger hook or ring in the lead pipe. The instrument was also equipped with a lyre attachment clamp.
Final conclusion from my test
I want this horn!
Download the Test Sheet and results here- Intonation test results and test sheet
Abnormally well written piece
Thank you, I think. My wife has considered me abnormal for many years.
Author’s Comment:
Final conclusion from my test
I want this horn!
Owner’s Comment:
You ain’t got enough money!
I used to.