A Special Thank You to All Our Supporters

We would like to thank our readers for their continued support and send a special thank you to the sites who have also supported our postings through the years. 20 Best Trumpet Blogs and Websites To Follow in 2022 (feedspot.com) (This site has listed our blog #1 Trumpet Blog every year for the past six years) #1. The Trumpet Blog | Blogging anything & everything trumpet  Branson, Missouri, US” “The Trumpet Blog regularly posts information related to trumpets and trumpet playing. Find information on many topics dealing with trumpet playing which will include the basics for the first timer as well…

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Let Me Introduce You To My New Trumpet Coach- Mr. Nick Drozdoff

Some readers may find this statement strange due to the fact that I am 80 years old and hosting a popular trumpet blog. At this age, shouldn’t I know enough about playing the horn to be self-sustaining in my approach to the instrument? Many would find this assumption plausible but when a person believes that they know it all about anything is when that person ceases to improve. My first contact with the name Nick Drozdoff was by accident while searching Youtube for material for our blog. The first video I encountered was this one….On Breathing For Trumpet – YouTube…

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Three Steps To a Perfect Performance- Revisited

My previous posts related to “Three Steps to a Perfect Performance” delt with Material, Preparation and Confidence. Selection of Material- Grade A- My selection of Mozart’s “Concerto for Flute In G”- 1st mvt. was slightly beyond my current ability to do a perfect performance. This experience was good for improving my playing but not good enough for a perfect performance. Preparation of Material- Grade B+ Although I prepared as well as I did, some passages were still beyond my current ability. Confidence in executing a perfect performance- C+ Final evaluation- Just as I stated in my post on the importance…

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Eleven Suggestions When Rehearsing With Your Accompanist- (Reprinted from January 3, 2013)

This may seem to be an off subject for a trumpet blog but I felt the need to voice my thoughts on the subject. Here are a few truths about the services offered be our fair accompanists when preparing for a concert or recital. Undisputable truths: Accompanists- • play way more notes than the soloist • receive less rewards and credit • turn more pages • put up with more wining and excuses • spend more time on the music than most soloists • sometimes are not even listed on the program • expected to play for everyone, even those…

Are Trumpet Players Born That Way or Do They Grow Into It? (Reprinted from Dec 14, 2019)

Trumpet players have the reputation of being, arrogant, self-centered, boisterous, know-it-alls and for this, we are sorry. Some players learn this naturally and some of us did not realize it was happening until it was too late. This is typical of the view most musicians have of trumpet players- How many trumpets does it take to change a light bulb? Five. One to handle the bulb and four to tell him how much better they could’ve done it. Is it justified? It might be, but I am more interested in the answer to this question- “Do trumpet players have these…

Three Steps to a Perfect Performance- #3 Confidence

Now that you have carefully selected your solo and practiced your part to perfection, it is time to put the final touches on your perfect performance. Knowing and being able to perform your solo is two-thirds of the equation for success. The final 1/3 is knowing that a perfect performance is possible. This last level of preparation is where most performers fall short. This last third is what makes the difference between the men and the boys, the pro and the amateur. Your first assignment in building confidence is to memorize your solo. Can you hear the deafening silence in…

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Three Steps to a Perfect Performance- #2 Preparation

We have had enough time to perfect our material to perfection. Notice that I didn’t say how fast we are now able to play it. If you are a less experienced player, you may be able to perform the material perfectly at the slowest tempo. Congratulations for you are on your way to performing the Etude without any “clams”. But if you think you are able to play this material at a faster tempo and are still making mistakes, continue at a tempo where you are able to play it without ANY mistakes! Don’t fool yourself into thinking you have…

Three Steps to a Perfect Performance- #1 Material

I have always wanted to perform the trumpet solo featured in the Brandenburg Concerto #2. It ain’t gunna happen! Why you might ask? The answer is simple. I don’t have the chops and I never will have the chops. With that confession, I have illustrated my concern for choosing material suited to your strength or better phrased, avoid your short comings. I have heard students play this challenging number beautifully but, as my first boss at the University of Northern Iowa told me, “Not every horse is a race horse”. Be sure when you are setting your next program you…

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Three Steps To a Perfect Performance*

Life is simple when you break it down into its basic parts. I have performed and prepared students for public performances for most of my life and the collective number of perfect performances is few and far between. In my own case I can remember less than a dozen occasions which I can honestly say were perfect performances. There were always those little glitches which could have been prevented such as a dynamic not observed or a tempo too fast or too slow. Perfection seldom comes without total preparation and complete concentration. This post is an introduction to a series…

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Dime or No Dime? Re-Printed from Feb. 17, 2013

On one of the more active trumpet discussion boards this month was a question about inserting a dime in the third valve lower cap to change the sound of your trumpet. Being the skeptic I am and will always be; I decided to test the concept. I played with the dime placed in the bottom of my third valve for two weeks and today removed it for my testing. During the two weeks with the dime in, I neither felt, heard nor recognized any change in timbre, accuracy, response, range endurance, amount of money made or any other factors in…

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