By continuing in this series I hope to give you alternate views of how to prepare for an audition, whether for a chair placement or an All State tryout. You will find attached several pages of exercises which will give you alternate ways of practicing from which most players adhere. Each exercise is approached with a more concentrated view to fully understand and perform the audition material. The Allegro exercise is practiced at different tempi, keys as well as alternate articulation which help decrease the monotony usually associated with this type of exercise. The Moderato exercise begins with the last…
Now Let’s Get Specific. Here is an example of an audition sheet for a trumpet chair in an actual High School band- Band Auditions These examples are typical of most audition material in that they begin simply and continue to get more difficult. Each of the four sections was selected for a specific reason and I will address these issues individually. Example #1- Allegro To most, this is just another simple scale but to your director it has several deeper characteristics that you should be aware of. 1. The scale is the A minor scale and to be even more…
By continuing in this series I hope to give you alternate views of how to prepare for an audition, whether for a chair placement or an All State tryout. Rule #3. Stop practicing your audition material and start learning it! • To most students, practicing means running through it once a day. Wrong! Practicing consistently the same way every day creates boredom. Boredom generates lack of concentration. Lack of concentration wastes valuable practice time and helps to ingrain mistakes and create phobias when learning the music. To get the most out of your practice time, get in the habit of…
We have all been through the agonizing, embarrassing and in some rare instances, exhilarating experience of auditions. The days and weeks of preparation for those few moments auditioning seem insufficient once you have played your heart out in front of a judge, band director or conductor. Thoughts run through your mind such as, I wonder if they caught that missed note in the second measure or, I hope they noticed the subtle dynamic change I made at the end of the second number. The hours upon hours of practice in preparation for an audition are much like going through a…
Slide Creams are all alike…..Right? No About a month ago I noticed that my flugle horn’s tuning slide was working a little hard and because I had just lubricated my trombone slide with some Yamaha Slide Cream, I thought it wise to lubricate my flugle horn’s tuning slide before I put my equipment away. Bad decision. When I tuned with our organist for a church service this morning, I found that the tuning slide in my recently lubricated flugle horn could not be budged. No matter what I did, I could not move the slide. When I got home, I…
Secrets to Improve Sight Reading Why are some people able to sight read much faster than others? Is it a natural occurrence or are there extenuating conditions which make some read much faster than others? To understand this inconsistency, we need to isolate the elements needed for rapid sight-reading. Elements involved with effective sight-reading- 1. Recognition of pitch 2. Recognition of rhythm When divided into these two elements the answer to why some people are able to sight-read faster than others is more apparent. We are all at the same level when recognizing pitches and eventually reacting with the correct…
Stiff Chops If you have been off your instrument for any length of time, stiff chops is not something you will be facing for extended rest periods will solve any stiff chop problems you might run into. Stiff or inflexible lip muscles are usually attributed to over practicing and under resting. The reason I included this condition when addressing “Getting Back In Shape” was to precaution you against practicing too much, too soon when gaining your strength and endurance. Too much practice will build chops and at the same time build stiffness which is something you should avoid at all…
Endurance- noun 1. the fact or power of enduring or bearing pain, hardships, etc. 2. the ability or strength to continue or last, especially despite fatigue, stress, or other adverse conditions; stamina 3. lasting quality; duration 4. something endured, as a hardship; trial. Of the four definitions listed above, I prefer to use the second to define the word endurance in this particular case. Although some may experience pain and hardship, those people might be practicing in the wrong way to achieve their goal of better endurance. Endurance is simply training your muscles to gain strength which in turn increases…
Finger Flexibility Exercises Clean breaks between notes require fast and coordinated valve action and for that reason you should practice finger or valve exercises daily. I have included a few exercises which will help increase this area of your performance. Playing fast material will hide many fingering faults where slow material will quickly expose weaknesses. For that reason I have included two slow song “I Wonder As I Wander” and the lesser known “Humoreske”. A musician may have the best tone in the world and still be rated poorly for sloppy valve work and for that reason it is a…
Range Developing your high range is not something that you can substantially increase in three days but getting back to a “useable” range is possible. When I say a usable range I am speaking of notes up to and including high C which is the normal upper register for most of us when performing in church or normal concerts. Playing shows and lead parts in big bands do require more upper range playing but if you are expecting to be called for these jobs, you shouldn’t let yourself go in the first place. Increasing your upper register can be approached…