What advantage is there for the use of two mouthpieces? This is a question which comes up often for many times we are faced with contrasting performance styles, i.e. Classical music and Jazz compositions. Generally the Classical music requires a darker, more “legit” timbre and the Jazz music requires a more commercial or brighter tone quality. It seems logical that two different mouthpieces would fit the needs of the performer and this is what we will be covering in this posting. What should I consider when switching between two different mouthpieces? • Two mouthpieces with the same cup diameter cause…
This has been a constant decision for all trumpet players. The large mouthpiece gives you a big, dark, rich sound but on the other hand, the small mouthpiece makes the upper register easier to play. I will try to illustrate the advantages as well as the disadvantages when trying to select your perfect mouthpiece. Big is big and small is small. The larger the mouthpiece the more air you will be able to push through your horn and the smaller the mouthpiece the less air you are able to utilize. Now at this point, I have lost half of my…
This product has been on the market for many years and my first contact is worth sharing. When first introduced to the brass playing world, the ease of cleaning my instrument with these objects was very appealing to my ears. So, I purchased a jar and ran one or two of these time saving gadgets through my horn. Presto, my instrument was cleaned. That was the good news. The bad news happened the first time I mentioned these instrument cleaning projectiles to a room full of high school band students. Shortly after our Faculty Brass Quintet returned to our campus,…
Most trumpet players approach the flugel in the same way they approach their trumpet- put it to your face and blow! Although this works, it might not be the best way to get the most out of your instrument. As I covered in a previous post, the two instruments are constructed differently and their use and even playing style are different. Both the trumpet and the flugel horn are played basically the same. Both also play the same range of notes with the same fingerings. The difference between the two lies in the application and playing style of the player.…
When we speak of great trumpet players, names such as Louis Armstrong, Dizzy Gillespie, Maynard Ferguson, Wynton Marsalis roll from our lips. But how familiar is the name Jim Morrison, and I am not speaking of the member of the famous rock band of the ‘60s; the Doors? If you are unaware of this talented trumpet player, be prepared to welcome a new icon into your trumpet world. James Morrison was born November 11. 1962 in Boorowa, New South Wales. His talents as a multi-instrumentalist (clarinet, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, flugelhorn, bass flugelhorn, trombone, euphonium, tuba…
Many years ago I visited with a great trumpet player at North Texas State. His name was Larry Ford. Larry, unfortunately past away at a very early age and we who knew him, miss him greatly. During our visit, I mentioned that I preferred playing second parts over lead parts and his response was, “Why? Playing second part is much more difficult than playing lead”. In some ways he was correct. Playing lead has definite requirements and second part players also have their own distinct responsibilities. As a lead player, you are expected to play with assurance and power. As…
What mental requirements are necessary before the child should start playing an instrument? When speaking of mental requirements, I am not referring to a mentally challenged or impaired child. I am speaking of the average child with the usual mental capacity. To succeed at any musical instrument, the student must be able to understand the importance of regular practice. Practicing regularly to some might mean “practice when you feel like it” or “when it is convenient”. This is the type of student that will most likely tire quickly of the discipline required for advancement on a brass instrument. I have…
This seems to be a hot topic on the national trumpet bulletin boards and I’m not sure there is a definitive answer to the question. Each individual will have to make his/her own decision on this one. Some young players have been very successful while others have failed miserably at the quest. It will be my intent in this post to bring light on both advantages as well as disadvantages when considering a very young child’s first experience on a musical instrument. Important issues to consider when starting a child on a musical instrument- Does the child have any interest…
I will group the “Old School” approach to improving high range as any method using traditional methods which would include improvement one half-step at a time over a period with constant repetition. The highest note in the entire Arban Method is only a high C. Did you ever wonder why this appened.? Why was such a popular and authoritative work so limiting in the upper register? I’m not sure anyone would have the real reason for many factors affected the material at that period of time. It is interesting to read the review of Arban’s material when he submitted it…
The use of pedal tones is like eating Chinese food; you either love it or hate it. I’m not sure who should be given credit for the use of pedal tones but my guess would be that it had something to do with playing the Circus. If you have ever played the circus, and I am speaking of the Ringling Brothers, Barnum and Bailey circus, you know what I am talking about. I’m sure that there are trumpet players around who enjoyed the experience and I am also confident that those players also enjoy have a root canal done on…