The use of pedal tones is like eating Chinese food; you either love it or hate it. I’m not sure who should be given credit for the use of pedal tones but my guess would be that it had something to do with playing the Circus. If you have ever played the circus, and I am speaking of the Ringling Brothers, Barnum and Bailey circus, you know what I am talking about. I’m sure that there are trumpet players around who enjoyed the experience and I am also confident that those players also enjoy have a root canal done on…
One of the most asked questions from students is this, “How can I learn to play high notes?” Seldom do players ask how they can improve their tone, endurance or any of the equally important areas of development. While giving clinics both with the faculty brass quintet as well as individual clinics, I have often been asked, “How high can you play?” My answer to that question was usually “I can play one note higher than I am asked to play”. Although they seldom understood what I meant by the statement, my response did answer the question. I have never…
While a student at North Texas, I was shown a very helpful trick which I still use every day in my playing. I called it the “North Texas Shuffle” and it goes like this. As we tap out feet, (when allowed by the director) most use one foot to complete the task. By doing this you have no idea as to where you are in each measure. But if you do the “North Texas Shuffle” your problems will be solved. How to do the North Texas Shuffle- Tap your left foot on beats 1 and 3 and your right foot…
Mouthpiece pressure begins with the hands. #1. The easiest solution All mouthpiece pressure begins with the hands. Holding the instrument is the only way we can play the instrument so it is logical our first step to lesson the pressure on the lip would be to lessening the grip on the horn. Now visit another of my blogs “Left hand Playing Position” illustrating a “lower left hand position” which will automatically lessen your mouthpiece pressure. By using this lower, left hand position, you will begin to lessen your pressure without any major changes to your playing style. The next…
Before we get into the how and why of excessive mouthpiece pressure, we need to identify what it actually is and establish how it is produced. What is mouthpiece pressure? When the rim of a brass instruments mouthpiece comes in contact with the lip, it produces mouthpiece pressure on the lip. Some pressure is required in order to seal the two from leaking air as the player begins to blow through the lips. If too little pressure is exerted you will have air leaks. If too much mouthpiece pressure is exerted, the player will limit the vibration of the lips…
For those who have not had much music theory, I hope this may answer some of your questions. If you still have questions, feel free to leave them in the comment section and I will try to answer them. Basic Music Theory
Now that is a question that I am sure you have never been asked! Most selections of bore size are limited to either large bore or extra-large bore and an option of a small bore or even a medium bore never enters the picture. Here is a quote from the Bundy instrument manufacture ring company. “The Bundy trumpet’s large bore makes it easy for a beginner to blow”. And here is a quote from the well-known music store Musicians Friend. “For new, and especially young players, a horn with a small bore is more appropriate because the small bore makes…
My last post dealt with my favorite trumpet players and today’s post is similar, but this time I would like to introduce you to my favorite brass ensemble, the King’s Brass. This was the brass ensemble that influence me into forming my first trumpet ensemble. I have followed the King’s Brass from its very beginning and had predicted from the start that they would eventually reign supreme in the brass ensemble field. Many will disagree with my opinion, but the prediction I made many years ago has proven correct. Few ensembles are able to combine a religious message with outstanding…
By continuing in this series I hope to give you alternate views of how to prepare for an audition, whether for a chair placement or an All State tryout. You will find attached several pages of exercises which will give you alternate ways of practicing from which most players adhere. Each exercise is approached with a more concentrated view to fully understand and perform the audition material. The Allegro exercise is practiced at different tempi, keys as well as alternate articulation which help decrease the monotony usually associated with this type of exercise. The Moderato exercise begins with the last…
Now Let’s Get Specific. Here is an example of an audition sheet for a trumpet chair in an actual High School band- Band Auditions These examples are typical of most audition material in that they begin simply and continue to get more difficult. Each of the four sections was selected for a specific reason and I will address these issues individually. Example #1- Allegro To most, this is just another simple scale but to your director it has several deeper characteristics that you should be aware of. 1. The scale is the A minor scale and to be even more…