Some may remember my first post (How to place your mouthpiece in your horn) which was written to disprove a practice which stresses the importance of placing your mouthpiece in the proper position to benefit your consistency in playing. This practice is called “Clocking” and the reference to positioning your mouthpiece in the best rotation in your mouthpiece receiver turn out to be true. What I started out to disprove, I ended up totally agreeing with. The reason for this second post on the same subject is again to verify the importance of the correct rotation of your mouthpiece in…
Just when you thought that nothing new has been invented to make life easier for a musician, along comes a new idea to make life easier for the musician! I recently ran across this novel and brilliant idea for making pages stay on your music stand during an outside, windy concert. This unique accessory was designed and is being produced by Co- founder Mary Semerzakis-Tolokan. I’m sure that the market for clothes pins will suffer greatly as this device continues to become popular. To get a better idea as to how this works, check out the video below. Co-inventor of…
Allan Dean is Professor of Trumpet (Adjunct) at the Yale University School of Music and is currently performing with Summit Brass, St. Louis Brass and the Yale Brass Trio. In the early music field he was a founding member of Calliope: A Renaissance Band and the New York Cornet and Sacbut Ensemble. Dean was a member of the New York Brass Quintet for 18 years and free lanced in the New York City concert and recording field for over 20 years before joining the faculty of Indiana University in l982. Upon retirement of the New York Brass Quintet in 1984,…
Earlier, one of our readers commented…..”Interesting article (The Definitive Guide to Trumpet Mouthpieces). You said you would address Flugelhorn mouthpieces, but where? That’s the information I seek! Where do I find that knowledge”? So, even though a little behind in schedule, here is Part 1 in our series. The best explaination I have found for our first post is from our friends at Mouthpiece Express and this is where we will begin. From Mouthpiece Express.com Guide to Flugelhorn Tapers Confused about tapers? We used to be, too! Here’s the scoop on flugelhorn mouthpiece tapers. If you are using the wrong…
I was sent this response from one of our other sites which seems to confirm my thoughts on my previous post “How Good Does A Trumpet Have To Be”? Part 1 “By chance I can across comments by Algridas Matonis (Algirdas Matonis) who is a Euphonium player in River City Brass – both of them are ‘big’ in the USA and produce some ‘good stuff’. It seems like AM supports the view that it is possible and practical to produce excellent music on ‘lesser quality’ instruments as demonstrated in this video of him talking and playing a ‘student’ instrument”.
If you ask most trumpet players this question the answer is usually “I need one better than the one I’m playing on now!” But is this a true evaluation of our current instrument? To fully understand what I am about to say, I will approach this question from two different perspectives; How good does the instrument have to be to satisfy its player? and…… How good does the instrument have to be to make a difference to the listener? How good does the instrument have to be to satisfy its player? Every musician wants to be able to perform with…
The flugelhorn, also spelled fluegelhorn, flugel horn or flugelhorn has a long history in European countries but is relatively new to ours. Its popularity in the states probably dates back to the fifties through the use of such well known names in jazz as Shorty Rogers, Kenny Baker, Clark Terry, Chet Baker, Miles Davis, Freddie Hubbard, Lee Morgan, Nat Adderley and Art Farmer. The purpose of the flugel was to give the player an alternative to the edgy, powerful trumpet sound. During the Bebop period (1945-1960) the trumpet was king, but when cool jazz started to gain a following in…
This is something we all could make and have sitting around for those unexpected moments in our lives.
On one day you are playing Brahms in an orchestra and the next you are playing Kenton in a club and the choice of sound is becoming a problem. One requires a soft and gentile timbre and the other a more edgy tone with an increased high range. One solution would be to change trumpets for each situation but at the cost of instruments today, who has that kind of cash. Another possibility would be to attempt to color your tone with your existing equipment but you will find this is only an act of desperation. This scenario was exactly…
This may seem to be a strange question to be asking but the answer may determine the proper function and life span of your valves. I have recently been added to the list of unemployed musicians in the Branson, Missouri area. Our show season runs from March through December and due to the fact that we now have some time off, I thought it time to check the condition of my equipment. Due to the fact that I have been experiencing some problems with my first valve, I decided to look it over for any unusual wear or damage. Unfortunately…